Simply put... a Masterpiece.

Simply put... a Masterpiece.

>perfect gameplay
>perfect soundtrack
>perfect aesthetics

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  1. 2 years ago
    Anonymous

    more like perfect poo poo pee pee

    • 2 years ago
      Anonymous

      FPBP - you really can never really recover from this OP. From now on Symphony of the Night will forever be known as the poo poo pee per game…

  2. 2 years ago
    Anonymous

    More like a masterpiece of shit

  3. 2 years ago
    Anonymous

    It's great, but I still prefer Classicvania style.
    Because you can never really die from falling off pits, SOTN feels very tame in terms of platforming, plus most of the platforming feels very copy-paste and at one point you don't even need to do any platforming at all, it's mostly just navigating the castle doing a mix of backdashing and mist form.
    Art style it also owes a lot to Castlevania IV and Rondo of Blood, but yeah, visually it's still amazing.

  4. 2 years ago
    Anonymous

    >perfect gameplay
    Perfect for putting you to sleep

  5. 2 years ago
    Anonymous

    Without going in and arguing how you got barely 1 out of 4, it's definitely a nice game totally worth playing. I really can't imagine having such a horribly warped relationship with the hobby as a whole that would prevent somebody from agreeing on that at least.

    • 2 years ago
      Anonymous

      The western PS1 version removed the fairy familiar that sings a song while Alucard sleeps.
      Not sure if the Saturn version has that, but the western PSP version on dracula X chronicles restored that familiar and it included not only the original song in japanese but also a (very nice) english version as well.

  6. 2 years ago
    Anonymous

    >posts the subhuman american cover
    Way to ruin your own thread

    • 2 years ago
      Anonymous

      >PAL

      • 2 years ago
        Anonymous

        NTSCope

        • 2 years ago
          Anonymous

          >my game better because the cheap piece of paper on the israeliteel case is different
          >even though the game runs slower than intended and is inferior
          NTSC-J chads laugh

    • 2 years ago
      Anonymous

      Was this at least one of the PAL games where they didn't slow the audio down with the gameplay?

    • 2 years ago
      Anonymous

      I prefer the japanese cover.

      • 2 years ago
        Anonymous

        Because you guzzle cum, we know.

  7. 2 years ago
    Anonymous

    It's one of the best in terms on music and aesthetics but the Igavania gameplay loop has always suffered from serious problems and SoTN is maybe the worst offender in that regard - not surprising seeing as it was the first one.

  8. 2 years ago
    Anonymous

    >>perfect gameplay
    yeah, no. not even close. it's fun to play, but seriously flawed in almost every respect

    • 2 years ago
      Anonymous

      So Alucard is a MJ fan. Big deal.

    • 2 years ago
      Anonymous

      I actually enjoyed the backdash thing. Sure, it's goofy as frick, but if you can get past the shattered realism, it makes moving around satisfyingly technical.

  9. 2 years ago
    Anonymous

    But is it better than Metroid 3?

  10. 2 years ago
    Anonymous

    >difficulty was all over the place but mostly easy
    >had to equip an item to use it, including healing potions
    Otherwise pretty good. I still prefer Super Metroid and Zero Mission.

    • 2 years ago
      Anonymous

      >too easy
      >needs healing potions
      ???

  11. 2 years ago
    Anonymous

    >no whip

    • 2 years ago
      Anonymous

      >he didn't unlock Richter mode
      lmao'ing @ your life.

  12. 2 years ago
    Anonymous

    Inverted castle
    Final toccata

    • 2 years ago
      Anonymous

      >complaining about Finale Toccata and not I Am The Wind

      • 2 years ago
        Anonymous

        you hear I Am The Wind once after you've beaten the game

  13. 2 years ago
    Anonymous

    >perfect gameplay
    It's a great game, but come on. It controls very well, the castle is inspired and interesting, there's a lot of neat stuff going on with the side-scrolling and RPG-inspired stats, equipment, item and familiar options, but "perfect gameplay?" It's an extremely flawed game. The most notable flaw is the absence of any difficulty. You get a taste of what the game might have been like if it posed anything resembling a challenge for the first hour or so, then the rest of it is a joke. The entertainment value comes from exploring the castle and messing about. But it's mindless even if you're unfamiliar with the game, and especially so if you know a few of the ins and outs. (like how cheap Alucard's spells are, which can all be used off the bat as long as you know the motions.) Yes, you can impose self-limitations like not equipping armor, certain weapons or using items, spells or familiars, yes you can even try using a challenge romhack.

    But it still lacks the one thing that made Castlevania what it was up to then, while presenting itself as an epic challenging game that takes the nonlinear Metroid format and applies it to Castlevania. (Metroid would be the more challenging game in this case.)

  14. 2 years ago
    Anonymous

    >Broken as frick
    >Many useless collectables
    >Inverted Castle
    >perfect gameplay

    The other 2 are correct tho.

    • 2 years ago
      Anonymous

      >>Many useless collectables
      I never understood why this was such a problem for people, many of the gear you do find is in general immediately useful though it might be out phased later, but even so there are games that have collectables that are literally useless and have no tangible benefit at all and yet no one criticizes them for having it. Ultimately what's deemed useless is decided by how the player wants to engage with the game. Some people want the sword with the highest attack and other want a sword that fricking summons skeletons, most of the fun is just seeing whatever weird shit you can find but it's always reduced to "useless collectables"

      • 2 years ago
        Anonymous

        >I never understood why this was such a problem for people
        I think it comes from people trying to categorize "metroidvania" as some kind of all encompassing genre. If you compare to Super Metroid's upgrade system where ever piece of equipment is useful, then I could see why SOTN's traditional RPG style would feel weird. Either way, the item bloat doesn't really start until you get to the reverse castle anyways. At that point the game is more of a free-for-all where you can explore everywhere, so it doesn't really matter.

  15. 2 years ago
    Anonymous

    >perfect gameplay
    for the soiboy

  16. 2 years ago
    Anonymous

    Like 60% of it at least looks so samey and brown. Yeah, I get it's inside a castle, but it gets old fast. The chapel, the underground caverns, and the few outside locations look pretty neat. It doesn't look like shit but it's nothing I'd write home about.

    Map completion fricking sucks. I know I'm overthinking things, but it's like, why am I fricking around trying to fill out a map when I can literally go fight Dracula right the frick now? Like, I realize percentage completed affects the ending, but I mean why would Alucard be wasting his time on this tedious bullshit in-universe? I feel like most platformers and probably a decent chunk of RPGs don't have this problem, like once you've reached a certain point there's a clearer transition to the end.

    I feel like equipping/switching items should have been real-time, or been done on a timer (ex. like 5 seconds to pick out your shit before the menus close), or just had a cooldown period after an item's equipped mid-battle. It honestly feels like I'm getting away with too much if I can just pause in the middle of a battle so I can take my time looking at stats and deciding what will be most effective. Yeah, limiting the menu system would only be asking for my dumb ass to get fricked even harder by Galamoth or whoever, but at least it wouldn't feel almost like cheating.

    Related to the above, maybe the whole game should've been on a timer too. 200.6% looks a lot more impressive if you can only do it within a set timeframe, and addresses the question of why I'm wasting my time on all this bullshit: because I'd get a BAD END if I can't do it efficiently enough. It'd be pretty easy to work some story reason into it too: like in X hours Dracula is fully resurrected and kills everyone. Bam, done.

    I hope this whole post doesn't come off like I want every game to be HYPERREALISTIC or some shit. Part of it's definitely the fact that the game as a whole does feel somehow both easy and padded.

    The soundtrack is fine.

  17. 2 years ago
    Anonymous

    Agreed, don't listen to these sub-human contrarians. They're the same people who suck off Castlevania 2 for being "different"

  18. 2 years ago
    Anonymous

    >tfw only played Lords of Shadows games
    where do I even start with the previous ones? should I completely skip any of them?

    • 2 years ago
      Anonymous

      >played the LoS games first
      Frick me, I adore the LoS games and even I'm not entirely sure how to answer this, because they're more or less a 3D clusterfrick of elements of the previous games with combat as their bread and butter. That's really going to depend on what you liked most about the LoS games, but putting that aside? I would say Castlevania 1 for being a great foundation and learning experience for arguably every game afterwards. If you're drawn in by the gameplay, then probably the DS games and perhaps CoTM, because those ones tend to have the best overall design in that regard, having options that actually matter in regards to when, where, and how you use them, though they rather different in how they go about it. If you're gripped by aesthetics, then I would say Rondo of Blood, SoTN, and Aria of Sorrow. I wouldn't consider them to be the best in their class like so many including OP do, but hot damn do they have class.

      Alternatively, and you arguably might as well do this since you already went through the LoS games, you could play the other 3Dvanias. The differences in design between the N64 games, the PS2 games, and the LoS games are more pronounced, but at the same time, will perhaps feel like familiar territory for you. The N64 games play more like the classic games probably more than other CV game past Rondo, 2D and 3D both, and as such, got a lot more platforming going on that's not at all "on rails", and your combat moveset is, uh, way more pared down compared to what you get in LoS, but it's nonetheless effective. PS2 games, on the other hand, have far greater emphasis on combat and a lot of mechanics to toy with, but approach to level and enemy design is a good deal more arcadey, videogamey, even. Course, the level design is also repetitious as frick and not really anything at all like the LoS games, but if you can get past that, you should probably be fine.

    • 2 years ago
      Anonymous

      Release order, or if not that then Rondo > Symphony > Aria

  19. 2 years ago
    Anonymous

    If SOTN is a masterpiece, what is Super castlevania IV? the greatest game ever made?
    Ok OP, you win. SOTN is a masterpiece.

  20. 2 years ago
    Anonymous

    I always get the feeling with SOTN that the developers were having a lot of fun with how much more space they had with CDs compared to cartridges, just from the sheer amount of items, enemies, small details, etc.

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