There's a lot you could do with it. A sanity stat. A suspicion stat with a few key characters that alter what they might ask or check of Light, like the father. Gimmick challenges of booby trapping or disarming Light's booby trapped room correctly. Like imagine an exposition conversation with Ryuk and you can either open up that one drawer he rigged to explode if you don't disarm it. Would be funny.
Light should've won.
He really shouldn't, except to see a True Bad End.
i was about to say that deathnote loses a bit of its charm if both light and L don't act like they do in the show. then again light responding to L like a moron might be funny
I would rather have a new cast of characters. We all know they'd make a terrible job trying to write the established characters.
i was about to say that deathnote loses a bit of its charm if both light and L don't act like they do in the show. then again light responding to L like a moron might be funny
There's a lot you could do with it. A sanity stat. A suspicion stat with a few key characters that alter what they might ask or check of Light, like the father. Gimmick challenges of booby trapping or disarming Light's booby trapped room correctly. Like imagine an exposition conversation with Ryuk and you can either open up that one drawer he rigged to explode if you don't disarm it. Would be funny.
[...]
He really shouldn't, except to see a True Bad End.
There was a turn based strategy game released on the DS, it was only released in Japan but it got an English translation recently
There were 2 more games on the DS but those haven't been translated yet
He did win, for a while. Like any person in power, it won't last forever. Whether it's due to a dumb mistake or natural passage of time, Light's position was never sustainable.
It's...really fricking dumb in a dumb way not a fun way
I will say Part 2 has it's good moments the actual ending in the warehouse is cool, Teru is cool, Dadcop is cool, even wienerroach shinigami is cool but everything with Near and mellow is shit
>Ah, yes, all the evidence so far points me to Light Yagami >that means there's a 0.00001% chance he is Kira, guess I' let him join and check on him
What the FRICK was wrong with L?
nah it's pretty obvious leading up to L's death that he's conflicted because even though Light is a sociopath and 100% Kira he actually enjoys their conversations
He knew he was Kira, just like he knew the "you'll die if you stop writing names" was bullshit, but had to prove it. He also didn't care if he died if it meant he ultimately won.
Ultimately his final gambit failed because he didn't account for a shinigami killing him, he expected Light to kill him.
But in a way he still won because he had Near as a contingency who would also immediately know that Light was Kira based on the events that transpired.
>make a good complex story that speak to everyone >one player get triggered because he didn't get it and review bomb the game with 5000 bots to fight "the man" imposing him cultural view >lose money
vs. >make a vapid superfluous story that trigger no one >one player get triggered because it's the best story he ever saw, as supported by the 5000 bots he just bought to counter review bombing >make money
Reading Death Note gave me a panic attack that was combined with depersonalization and OCD that lasted for about a month. I used to think that trigger warnings were lame as frick.
You need good writers for that shit. Not just OK writers, or passable writers, actually good ones, because it's the only thing your game would offer. And it seems like 98% of all writers went full moron in the last 5 years or so.
>Light never fricked Misa >Light never showed any affection toward women >All the sexual tension with L >Yagami spelled backward spells "I'm a gay"
Kira was such a progressive gay character back in 2006
the issue with telltale was they bit off way more than they could chew + they where working with an ancient engine.
story based games clearly where popular but suits don't want anything to do with them anymore after the telltale debacle.
Stories are not conducive with the infinite money glitch that live service games have the potential to be. It's not that story based games are unprofitable, but more so that story games don't make all money ever like investors want.
>Guy with a god complex who isn't as smart and great as he thinks he is falls to his own hubris >gays with a god complex who aren't as special as they think they are hate it
Not really luck, since Mello was the one that figured out there was probably a fake notebook used as bait.
Had Mello not hated Near and joined him from the beginning they would have won, likely without Mello dying too.
Also we know Near tested the notebook since he ultimately killed Mikami with it, so the minute he realized they didn't have the actual note he probably would have approached things differently
Well yea, he was L's contingency.
Light had a massive advantage against L due to the second death note existing. Without Misa and Rem Light would have lost due to refusing to pay for the eyes.
L vs Light was someone playing Dark Souls for the first time, not knowing the meta yet doing incredibly well and dying at the end because he got stabbed through a fog wall due to a glitch.
Near vs Light was someone cheesing the game with a meta build and other shenanigans and only beating the last few bosses because he got random heals from people rating messages he wrote with a soapstone.
L vs Light was more like L fighting a invader using hacks and almost winning.
Near vs Light was the same thing but then a hunter joined (Mello) and beat the hacker, followed by the hacker crying about gank squads and how dishonorable 2v1 is
its because story based games have the narrowest range of who they can appeal to
you'll read posts about how disco elysium is the best game evar and then I gave it a try and it sucked
Good writers are hard to come by.
Maybe because there's fewer with the life experiences to inspire good writing than there used to be, or maybe they're just spergs and hard to find/motivate.
Writers back in the day were trying to express an idea or experience despite the technical limitations, writers nowadays only know the synthetic version of that experience. People who made Ocarina wanted to portray a journey, people who played Ocarina and were inspired to make games now want to make Ocarina not portray a more abstract concept like Ocarina designers.
That said, it's not as bad as it seems. It's just that social media brings bad stuff to our attention and it is human to focus on the negative. Back in the day bad stuff was usually just ignored.
Still don't get how they completely fricked the series over after the monumential kino that was (using the spoiler tag as intended for once) L's death and the S1 finale in general
They could have ended the series there and it would have still been better than what they came up with for part 2.
IDK about that
An ending where light just gets away with everything with no real stakes just seems like a worse copout ending.
There ARE ways you can write a good "Light wins" end, but not with something as abrupt as S1's ending.
Naruto was never meant to end after Pain. Kishimoto literally set up multiple plot points like Tobi being Madara, Itachi being a double agent etc before it and the next arc started without delay the next week.
It's even more unsubstantiated than Toriyama wanting to end Dragon Ball with Cell Saga.
To be fair Toriyama left outs for himself with every major saga King Piccolo on.
He had no intention of stopping, but he always made a storyboard where if he felt like stopping when he got there he could, and at some point when writing the buu saga he decided to end things there.
they don't cost that much but the "epic movies" aka capeshit ip licences sure as hell do
A telltale games about Death Note would be legitimally good and interesting
There's a lot you could do with it. A sanity stat. A suspicion stat with a few key characters that alter what they might ask or check of Light, like the father. Gimmick challenges of booby trapping or disarming Light's booby trapped room correctly. Like imagine an exposition conversation with Ryuk and you can either open up that one drawer he rigged to explode if you don't disarm it. Would be funny.
He really shouldn't, except to see a True Bad End.
I would rather have a new cast of characters. We all know they'd make a terrible job trying to write the established characters.
i was about to say that deathnote loses a bit of its charm if both light and L don't act like they do in the show. then again light responding to L like a moron might be funny
Yeah
There was a turn based strategy game released on the DS, it was only released in Japan but it got an English translation recently
There were 2 more games on the DS but those haven't been translated yet
>no death note among us type game
would be easy to do.
I played an rpg maker death note multi-player game that was basically proto among us like a decade ago.
literally me
Smeagle won the argument.
What part of this is TBS? It's just a Trial of Salem.
If they fricked with the story, and had better written characters, perhaps. Death Note is dogshit.
Light should've won.
I figured the point was to root for Light Turner as a sort of cathartic protagonist
This, frick L and his apprentices
wait, doesn't L stand for Light though?
No, the L stands for L
Genius Kojima strikes again.
No, L is some kind of master detective who wants to reveal the identity of Kira
He did win, for a while. Like any person in power, it won't last forever. Whether it's due to a dumb mistake or natural passage of time, Light's position was never sustainable.
Not to mention the mans was actually planning on just killing people he thought didn't contribute to society hard enough.
Damn....mandkid would have settled Mars by the time he dies of old age...
Part 2 isnt canon
>still getting filtered
In part 2 you have a space rocket to transport the death note
>In part 2 you have a space rocket to transport the death note
and what's the problem with that?
It's...really fricking dumb in a dumb way not a fun way
I will say Part 2 has it's good moments the actual ending in the warehouse is cool, Teru is cool, Dadcop is cool, even wienerroach shinigami is cool but everything with Near and mellow is shit
Light was an incel chud and incels always lose to voicels (Near)
Light was a chad though
He did though. Season 2 is fanfiction
>You got me
and then he finds out while taking a shit?
so which one is right choice?
clearly X, pretending to be moron
For me, it's O. Everything else is too defensive. Light's just curious about L's thought process.
how did he know
>Ah, yes, all the evidence so far points me to Light Yagami
>that means there's a 0.00001% chance he is Kira, guess I' let him join and check on him
What the FRICK was wrong with L?
Autism. He'd rather people die so he can 100% prove his hypothesis in their game.
Watch Deathnote without Light's innermonologue. He literally gives himself away 30 seconds into meeting L.
L's issue is he can't prove Light is Kira because of the Supernatural element which is why he hire's Light to help him out.
This actually creates a major issue with L because even though Light is the killer he becomes one of the only people he can actually call a friend
>he becomes one of the only people he can actually call a friend
I know he’s a master bluffer, but this is ridiculous
nah it's pretty obvious leading up to L's death that he's conflicted because even though Light is a sociopath and 100% Kira he actually enjoys their conversations
Death Note How to Read reveals that L was bullshitting about his percentages. He was close to 100% in assuming Light was Kira.
He knew he was Kira, just like he knew the "you'll die if you stop writing names" was bullshit, but had to prove it. He also didn't care if he died if it meant he ultimately won.
Ultimately his final gambit failed because he didn't account for a shinigami killing him, he expected Light to kill him.
But in a way he still won because he had Near as a contingency who would also immediately know that Light was Kira based on the events that transpired.
They are RISKY.
>make a good complex story that speak to everyone
>one player get triggered because he didn't get it and review bomb the game with 5000 bots to fight "the man" imposing him cultural view
>lose money
vs.
>make a vapid superfluous story that trigger no one
>one player get triggered because it's the best story he ever saw, as supported by the 5000 bots he just bought to counter review bombing
>make money
Reading Death Note gave me a panic attack that was combined with depersonalization and OCD that lasted for about a month. I used to think that trigger warnings were lame as frick.
How the frick do you even get triggered by any of these while reading Death Note?
It planted an idea in my head that I couldn't stop thinking about and it gave me anxiety.
Did you think that someone might put your name in the death note?
Stop it anon, you're going to trigger him
No.
A fear of heart attacks? That's all I can relate to.
Because I don't like them and I'm the main character.
because they aren't games
You need good writers for that shit. Not just OK writers, or passable writers, actually good ones, because it's the only thing your game would offer. And it seems like 98% of all writers went full moron in the last 5 years or so.
They are profitable.
The problem is that they're not profitable enough. Line cannot stay flat, line MUST go up.
>Light never fricked Misa
>Light never showed any affection toward women
>All the sexual tension with L
>Yagami spelled backward spells "I'm a gay"
Kira was such a progressive gay character back in 2006
>Light never fricked Misa
he did, albeit to shut her up
she would've gone crazy(er) without dick, potentially becoming a threat to him
>women are women
>fujo pandering bishie men are closet homosexuals
more news at 11
What are you talking about he didn't have sex with Misa because he was fricking his actual Girlfriend
>he was fricking his actual Girlfriend
L died too early for that tho
>sexual tension with L
stop projecting homosexual
>this c**t has practically no doujins
I HATEI T
Light was only a good and actually an entertaining character in the bonus chapters. He actually has a personality in them tbh
>that pic on the right
>Literally no ass or breasts built like a cube
This is why Light had no interest in Misa
the issue with telltale was they bit off way more than they could chew + they where working with an ancient engine.
story based games clearly where popular but suits don't want anything to do with them anymore after the telltale debacle.
fate was story focused and it grew out to become one of the most profitable franchises
[Glass him]
Stories are not conducive with the infinite money glitch that live service games have the potential to be. It's not that story based games are unprofitable, but more so that story games don't make all money ever like investors want.
vidya =/= books
frick off elsewhere if you want good stories, they're a backdrop at best
no, torment wasn't good either, frick you
>Guy with a god complex who isn't as smart and great as he thinks he is falls to his own hubris
>gays with a god complex who aren't as special as they think they are hate it
He won!
>cute 200 IQ albino shota boy
>sexy mature milf woman voice
muh dick
Near did nothing wrong
He didn’t kill death row prisoners to test his theories like L would have, forcing Melo to kill himself in order to expose the flaws in Near’s plans
>filtered light chuds have a hissy fit over part 2 because Near was actually smart enough to use the death note to win
Because we aint a bunch of left-wingers who are sad when violent criminals get wiped out
Yea violent criminals such as people who go 2 mph over the speed limit or jay walk
>Near was actually smart enough to use the death note to win
To be fair Near started with a huge advantage because L told him everything about the Death Note and Shinigami.
It's like when you start a new game already halfway to level cap.
And even then Near’s win was a fluke
Yeah basically he lucked out with Mikami fricking up.
Not really luck, since Mello was the one that figured out there was probably a fake notebook used as bait.
Had Mello not hated Near and joined him from the beginning they would have won, likely without Mello dying too.
Also we know Near tested the notebook since he ultimately killed Mikami with it, so the minute he realized they didn't have the actual note he probably would have approached things differently
Well yea, he was L's contingency.
Light had a massive advantage against L due to the second death note existing. Without Misa and Rem Light would have lost due to refusing to pay for the eyes.
L vs Light was someone playing Dark Souls for the first time, not knowing the meta yet doing incredibly well and dying at the end because he got stabbed through a fog wall due to a glitch.
Near vs Light was someone cheesing the game with a meta build and other shenanigans and only beating the last few bosses because he got random heals from people rating messages he wrote with a soapstone.
L vs Light was more like L fighting a invader using hacks and almost winning.
Near vs Light was the same thing but then a hunter joined (Mello) and beat the hacker, followed by the hacker crying about gank squads and how dishonorable 2v1 is
its because story based games have the narrowest range of who they can appeal to
you'll read posts about how disco elysium is the best game evar and then I gave it a try and it sucked
writing books is easier and cheaper
Chuds only hate light because they know he would have killed that terrorist mass shooter Kyle Rittenhouse the minute he was shown on TV
Good writers are hard to come by.
Maybe because there's fewer with the life experiences to inspire good writing than there used to be, or maybe they're just spergs and hard to find/motivate.
Writers back in the day were trying to express an idea or experience despite the technical limitations, writers nowadays only know the synthetic version of that experience. People who made Ocarina wanted to portray a journey, people who played Ocarina and were inspired to make games now want to make Ocarina not portray a more abstract concept like Ocarina designers.
That said, it's not as bad as it seems. It's just that social media brings bad stuff to our attention and it is human to focus on the negative. Back in the day bad stuff was usually just ignored.
Still don't get how they completely fricked the series over after the monumential kino that was (using the spoiler tag as intended for once) L's death and the S1 finale in general
They could have ended the series there and it would have still been better than what they came up with for part 2.
Pretty sure they wanted to but like all manga they get forced to write more shit by shonen jump
it's like how Naruto was meant to end at the Pain arc i think
You missed the entire point of death note if you think he wanted it to end after L's death lol.
IDK about that
An ending where light just gets away with everything with no real stakes just seems like a worse copout ending.
There ARE ways you can write a good "Light wins" end, but not with something as abrupt as S1's ending.
Naruto was never meant to end after Pain. Kishimoto literally set up multiple plot points like Tobi being Madara, Itachi being a double agent etc before it and the next arc started without delay the next week.
It's even more unsubstantiated than Toriyama wanting to end Dragon Ball with Cell Saga.
To be fair Toriyama left outs for himself with every major saga King Piccolo on.
He had no intention of stopping, but he always made a storyboard where if he felt like stopping when he got there he could, and at some point when writing the buu saga he decided to end things there.
nobody know how/like to read would play vidya
not even pseudo
cause they would read books instead of playing vidya
Sakujou.